Francisco de Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art.. Related Paintings of Francisco de Zurbaran :. | adoration of st | st. ursula | almanzor | st. jacobo de la marca | doctor in law from the university of salamanca | Related Artists: Johann-Baptist Lampi the Elderpainted Portrait of Paweł Grabowski. in1790 Harmen HalsHerman, or Harmen Hals (1611, Haarlem - 1669, Haarlem), was a Dutch Golden Age painter.
According to Houbraken he was the son of the painter Frans Hals and was like his brothers Jan and Frans II, good at music and painting. He was a member of the Haarlem Guild of St. Luke.
According to the RKD he was the oldest son of Frans Hals, and spent most of his life in Haarlem, but is registered in Vianen from 1642-45, and in Amsterdam in 1645. valkyrieritt
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